By Ashleigh Varing

As you may remember, last time I left off on BTS winning Rookie of the Year in South Korea’s Melon Music Awards.

Since then, they’ve proven that was only the beginning of their ascent to global stardom. Record after record, they built their fame, fanbase, and art to something very close to perfection.

That near perfection brought them global attention, spanning their success well beyond the borders of Korea, into Japan, then jumping across the continent to Europe and eventually across the ocean to the United States, Canada, and the rest of the Americas. Truly, they’re a global sensation, unlike those artists fueled by the American-marketing machine.

Perhaps their success goes beyond that. Perhaps they came in at the right time when the world had developed a taste and fascination for Korean culture and art. But that may not be the case. After all, didn’t Wonder Girls attempt to bridge into the states, yet couldn’t, even after getting a Nickelodeon movie? Yes. Yes, they did. BTS? They’ve risen in popularity and improved their craft largely on their own: creating their own music, lyrics, and overall artistic style.

So, let’s take another look at BTS’ discography and the impressive records they’ve achieved with it.

On February 12, 2014, Skool Luv Affair was released. As the third and final album in their “school trilogy,” this album also contained a lot of themes having to do with teenagers. For example, the lead single “Boy in Luv” expresses the experience of love as a teen. The album peaked number 3 on the Billboard World Album Chart, selling a total of 14,852 copies by the end of the year. 

On August 20, 2014, their first studio album Dark & Wild was released. BTS were still discussing love, just from the perspective of a young adult. The album peaked at number 3 on the Gaon Monthly Chart for August, selling a total of 51,655 copies in that month. It was also the 14th best-selling album of the year, having sold 100,906 copies by the end of 2014. 

By 2015, BTS were slowly becoming relevant in the K-pop world, and that popularity was only boosted by the release of their third mini album, The Most Beautiful Moment in Life pt. 1, on April 29. This album discusses youth and uncertainty of the future, the boys’ sound shifting from hip-hop to pop. Despite the change, their songs were still lyrically dense and held even darker themes than the prior albums. The title track, “I Need U,” even got them their first music show win. 

On November 30, 2015, the album The Most Beautiful Moment in Life pt. 2 was released, debuting at 171 on the Billboard 200, becoming the first K-Pop act outside of the big 3 labels (JYP, SM, and YG Entertainment) to do so. As explained by the title, the album is the second part in the HYYH (Hwa Yeon Yang Hwa a.k.a. “The Most Beautiful Moment in Life”) trilogy. As explained by BTS themselves, “Part one explained how youth is tiring and difficult, and it also touched on how we feel like we’re always on edge. Part two will have a more adventurous and daring feel to it. That’s why our title song is ‘Run.’” 

The Most Beautiful Moment in Life: Young Forever was released on May 2, 2016, debuting at number 107 on the Billboard 200 chart. The album had sold 300,000 copies in pre-sales after less than a week, topping the Gaon Monthly Chart in May with a little over 310,000 albums having been sold. This album even got BTS their very first Daesang, the highest award an artist can win at a Korean music show, on November 19, 2016. They were the first group in multiple years to have gotten a Daesang while under a label that wasn’t one of the big three. The boys now have over 60 Daesangs, and to put that into perspective, the group with the second most Daesangs has 23 in total. 

Later in 2016, on October 10, Wings was released, debuting at number 26 on the Billboard 200 chart, becoming the highest charting K-pop album at the time. The album is about temptation, and as Namjoon explains it, “The harder a temptation is to resist, the more you think about it and vacillate. That uncertainty is part of the process of growing. ‘Blood Sweat & Tears’ is a song that shows how one thinks, chooses, and grows.” The music video for the title track, “Blood Sweat & Tears,” has allusions to the novel Demian, a book about self-discovery inspired by Jungian psychology. 

You Never Walk Alone was released on February 13, 2017, and was a repackaged version of Wings, with four new songs added. The lead single, “Spring Day,” is the longest charting song in Melon history, having spent over 300 consecutive weeks (five and a half years) on the Top 100 Melon Weekly Chart. The song is about longing and was revealed to be inspired by Namjoon and Yoongi losing their friends. In an interview from November of 2020, Namjoon said, “…I had friendships that meant a lot to me back in the day. But once I moved to Seoul and started my traineeship, I kind of drifted apart and eventually lost them.” 

Love Yourself: Her was released on September 18, 2017, as the first album in the Love Yourself trilogy. The album expresses the anxieties and joys of falling in love, this idea further highlighted by the title track, “DNA.” Namjoon claims the song depicts a young, passionate love, and that it’s vastly different from their earlier releases. The album ranked number 1 in 73 countries, debuting at number 85 on the Billboard Hot 100. It was the highest selling album of September that year, with 1,203,533 copies sold. 

The group’s third full-length album, Love Yourself: Tear, was released on May 18, 2018. This album has a much more somber tone in comparison to the earlier album in the trilogy, particularly within the title track “Fake Love,” which is about the loss of identity that follows holding onto a toxic relationship. This album sold 1.44 million copies in the first six days of its pre-order period, and it earned them the top spot on the Billboard Top 200 and the first Official Million Certification from Gaon. 

On August 24, 2018, the final album in the Love Yourself series, Love Yourself: Answer, was released as a compilation album, which included seven new tracks. The album focuses on themes of reflection, empowerment, and most importantly, self-love. Love Yourself: Answer sold more than 1.51 million copies, surpassing Love Yourself: Tear as the most pre-ordered album in South Korea. On November 7, 2019, it became the first Korean album to spend an entire year on the Billboard 200, this record only being surpassed by themselves with Map of the Soul: 7. 

On April 12, 2019, Map of the Soul: Persona was released, with various influences from philosophy (microcosms), Greek mythology (Dionysus), and psychology (the book Jung’s Map of the Soul, as shown by the title of the album). The day prior to the album’s release, 3.07 million copies of it had been preordered, and upon debut, it made BTS the first band since the Beatles to have three number-one albums in under a year.  

Their first pre-release single, “Black Swan,” was made available for download and streaming on January 17, 2020. The song discusses the band’s fear of losing their passion for music, with lyrics such as “the heart no longer races when the music starts to play” and “if this can no longer resonate, no longer make my heart flutter, then perhaps this is how I die my first death.” The latter is a reference to a quote by Martha Graham: “A dancer dies twice — once when they stop dancing, and this first death is the more painful.” 

Their fourth full-length album, titled Map of the Soul: 7 (in honor of the seven members of the group and their seventh anniversary together), was released on February 21, 2020. The album was meant as a final sendoff before Seokjin’s enlistment into the military, which was later postponed due to the pandemic. It topped IFPI’s Global Album Sales Chart and Oricon’s mid-year Album Chart ranking, making them the first foreign artists since Michael Jackson to do so. It also became the first album to be certified as Quadruple Million by Gaon. 

BTS’ first English single, “Dynamite,” was released on August 21, 2020, and is likely the song you’re most familiar with. The song was intended to uplift the public during the rough pandemic, and it quickly blew up. “Dynamite” got them their first Grammy nomination, helped them achieve a Daesang sweep (when all Daesangs are won by the same artist), spent 32 consecutive weeks on the Hot 100 chart, collected 7.78 million streams on the first day, and at one point was the most viewed YouTube video in 24 hours (though this record was later surpassed by their own song, “Butter”). 

BE, released November 20, 2020, was an album released to help those struggling with the sudden pandemic. “Dynamite,” initially an independent single, was included as the eighth track on the album. With this album, they became the only artists apart from Taylor Swift to debut at number one on the Hot 100 and Billboard 200 simultaneously. It also made them the fastest group to have five number-one albums since the Beatles. “Life Goes On,” the album’s title track, became the first non-English song to debut at the top spot on the chart. The album also claimed the second spot on IFPI’s Global Album Sales Chart for 2020, making them the only artist to have multiple albums listed. 

“Butter,” the group’s second English single, was released on May 20, 2021. Meant to be a fun summer song aiming to be easy to listen to, it quickly became a hit, with over 108 million views in its first 24 hours and ten consecutive weeks on the Billboard Hot 100. Not to mention it still holds the record for the most-viewed music video in the first 24 hours. 

“Permission to Dance,” released on July 9 (a.k.a. ‘ARMY Day’), celebrates diversity as well as uplifts spirits. The song features an optimistic message of hope and encourages listeners to let go of their worries and dance. Like “Butter,” “Permission to Dance” was also released in English, signaling the group’s continued efforts to connect with their global fanbase. While its performance on the charts was not as impressive as “Dynamite” or “Butter,” it still managed to debut atop the Hot 100 chart. 

Their most recent whole-group album, Proof, was released three days prior to their 9th anniversary as a group on June 10, 2022. The album includes a re-recorded version of their unofficial 2013 song “Born Singer” (based on “Born Sinner” by J. Cole, which was included with his permission), five new tracks (two of which are only available on a physical copy of the album), the solo and sub-unit songs the members picked themselves, all their title tracks, and eleven demos (also exclusive to the physical album). The album sold two million copies on its release day alone and peaked at number 1 in eighteen countries. 

BTS’ discography is a testament to their artistic vision, creativity, and dedication. Over the years, they’ve continued to push boundaries and break records, setting new standards for what a K-pop group can achieve. And although the rest of them will be entering the military shortly, they are not done for good. There’s a high chance of a comeback in 2025, and there will be updates posted throughout the next few years. 

By Ashleigh Varing

Last month we looked at K-pop’s rise to fame not only in South Korea, but internationally as well, and why so many have taken to the community. BTS was a huge help in this popularity surge, but how did they become the powerhouses in the industry that they are today? 

It all started with Kim Namjoon. At thirteen, he became an underground rapper, his prominence within the community growing over time. He was invited to audition for an underground hip-hop agency, and one of the judges (Sleepy from the rap duo Untouchable) was so impressed with Namjoon’s skills that he referred him to Bang Si-hyuk, the CEO of Big Hit Entertainment. Namjoon ended up auditioning for the company, becoming the first member of BTS. 

The second member to join was Min Yoongi, who was active as a rapper and producer under the name ‘Gloss.’ He had made a name for himself as a member of a group titled “D-TOWN” (named for the city, Daegu, where the group originated). At seventeen years old, he tried out for Big Hit Entertainment after seeing a poster advertising the auditions. He ended up getting second place and joined the agency as a producer. He was later “tricked” into joining BTS, becoming the group’s second member. 

Jung Hoseok, despite being one of BTS’ rappers, wasn’t in the underground hip-hop scene like Namjoon or Yoongi. In fact, he was a street dancer in a dance team called Neuron. He auditioned for one of the largest companies in K-pop, JYP Entertainment, though he was rejected and later decided to give Big Hit a chance. He had plenty of potential, so Si-hyuk didn’t hesitate to accept him into the agency as a trainee. He almost wasn’t included in BTS’ lineup, though Namjoon convinced the company that the group needed him, and so he became the group’s third member. 

Kim Seokjin, the band’s fourth addition, wasn’t planning to have a career in music at all; he was an acting major with no experience in singing, rapping, or dancing. A Big Hit representative saw him exiting a bus and persuaded him to sign on with the label, and through eight months of hard work and dedication, Seokjin managed to perfect the pristine vocals he’s known for. 

Jeon Jungkook, the youngest member of the band, was only thirteen when he auditioned for a show called “Superstar K” in his hometown of Busan. He was eliminated from the competition, though seven agencies scouted him in hopes of signing him to their label, one being JYP Entertainment. Why, then, did Jungkook turn down most of those offers and choose to sign with Big Hit? Well, as said by Jungkook himself, “I thought Namjoon was so cool, so I wanted to sign with them. I told my parents that I wanted to join, and so I signed.” 

Kim Taehyung, the sixth member to join the group, came to the auditions in Daegu to support a friend of his. He didn’t plan on auditioning, though a staff member encouraged him to try out, so he got permission from his father and auditioned on the spot. He passed the audition and was welcomed into the company, though he was kept a secret until eleven days prior to their debut. 

Park Jimin was encouraged by his dance teacher to audition for Big Hit due to his raw talent, and he passed. He became a trainee, though he was nearly kicked out about eight times due to several people thinking he would do poorly in the group. Thankfully, he was included as the seventh and final member of BTS. 

They debuted on June 13, 2013, as “Bangtan Sonyeondan,” translating to “Bulletproof Boys,” with their album 2 Cool 4 Skool. Selling 24,441 copies in total, the album was placed at number 65 for Gaon’s 2013 year-end album chart, which was good for a rookie group not under the Big 3 (JYP, SM, or YG Entertainment). The title track, “No More Dream,” criticized the way society views dreams and aspirations, a theme reflected in quite a few of their later songs.  

Later that same year, on September 11, their album O!RUL8,2? (Oh! Are you late, too?) was released. The album debuted at number 4 on the Gaon Weekly Chart and ended the year as the 55th best-selling album in South Korea. The title track, “N.O,” goes into detail about how the school system forces children to ignore other aspects of life in favor of studying and becoming “the best.” On November 14, 2013, they won the “Rookie of the Year” award at Melon Music Awards, proving their hard work had paid off. 

But for BTS, this was only the beginning. 

By Logan Jacobs

As the month of October is in full swing and Halloween is fast approaching, gamers may be looking for new or different scares. However, fear often takes a back seat in this style of play and tension takes over. And that tension is delivered in different and sometimes unusual ways. Multiplayer, Psychological, and Traditional are a nice triad of horror.

Multiplayer Horror: Phasmophobia is a fun 1 to 4 player ghost-hunting game in which players find pieces of evidence to determine what type of ghost is pursuing them.

As the ghost initiates what is called a “hunt” all players who are in the house at the time get locked in with the ghost until the conflict is resolved.

Players have tools to assist them such as the walkie talkie. During the hunt the walkie talkie also shuts off so players’ voices can only be heard by those nearby.

Death is always a risk. The ghost’s primary purposee is to track down players and kill them with a touch.

However, there ways to avoid these disturbing deaths. Different items like smudge sticks or a crucifix can ward off ghosts, buying the players more time.

Players can buy these items using a shop system offering many different items such as a head-mounted camera so teammates can see a first-person perspective from the van or candles that maintain player sanity in dark rooms.

However not all items can be bought in the shop like cursed possessions. These cursed possessions range from a ghost summoning circle to tarot cards that may save players from death.

Overall, this game is an engaging first-person paranormal investigation with mortal consequences yet a fun team-based action.

Phycological Horror: Yume Nikki is a true cult classic. Released in 2004, Yume Nikki explores dreams and nightmares.

While this game is far more psychological than horror, there are still horrific elements which have inspired other great horror games such as Omori, and the Lisa franchise.

As young shut-in Madotsuki, players go around dreams, collecting effects, doing events, and diving deeper into said dreams. Effects are the closest things you get to a progress system in Yume Nikki. Not all effects are useful, but some are extremely useful such as the bike making you go faster or the lamp lighting up dark worlds.

Although the effects can be described as a “progress system” gathering all 24 effects should not be the goal when playing Yume Nikki. Looking at Yume Nikki through that lens may lead to overlooking impacting events and areas such as going to Mars or meeting Uboa. These events and areas make up such a huge part of Yume Nikki and can be witnessed only after doing very specific steps that would have been missed by just chasing after effects.

Traditional Horror: Spooky’s Jump Scare Mansion, has the player exploring a haunted mansion. In the mansion players will find different specimen, these specimens all have unique abilities each having their own way of trying to kill the player.

Unique abilities can range from having a puddle of goo to slow the player down, to forcing the player to constantly look at the specimen as they venture through the different rooms of the mansion.

After venturing through the mansion’s 1000 rooms players will face off against a final boss and depending on their score will either get a good or bad ending. Players will also face a sad truth of the mansion that had been hinted at all throughout the game.

Even after beating the story mode Spooky’s continues, by beating the paid hd version players will unlock an endless mode and two new dlcs.

Karamari Hospital and Dollhouse are both vastly different from the past formula of Spooky’s, instead of mixing in random specimen encounters and scripted encounters the two dlcs choose to go down the route of just having scripted encounters. This style of just having scripted encounters makes the story shine, letting the player explore a large dark abandoned hospital, discovering the past secrets left behind by GL Labs.

In Spooky’s Dollhouse the player explores a large mansion with many dark secrets left behind, eventually coming to a climax the player sees Spooky’s final moments. The endless mode opts to ditch the lore aspects and instead just focuses on scaring the player, the player can be chased by any monster across both dlcs and the main game, even adding more specimen exclusive to endless mode.

Phasmophobia, Yume Nikki, and Spooky’s Jump Scare Mansion are three games I will never forget playing and games that I would recommend to anyone who’s looking for a good scare this Halloween.